One Orchestra, Two Artistic Policies, One Censor: Symphonic Music by the Great Symphony Orchestra of Belgian Radio (1940-1944)Author(s)Eric Derom
The German Military Propaganda Department Belgium (Propaganda-Abteilung Belgien) vis-à-vis “Cultures of Spectacle” in Occupied Belgium (1940-1944) Author(s)Louis Fortemps & Roel Vande Winkel
The Movie Theatre in Occupied Belgium at the Crossroads of Different Cultures of Spectacle (1914-1918). The case of Louvain Palace Author(s)Leen ENGELEN
Film Distribution and Exhibition in the Light of German Cultural Policy in Occupied Belgium (1914-1918)Author(s)Guido Convents
“You’ve seen a lot of movies”: Rereading Paul van Ostaijen’s Occupied City in Light of the Contemporary Cinema Culture in BelgiumAuthor(s)Erik Spinoy
Projecting a Nation in Ruins. Lantern Lectures and the Spectacle of War-Struck Belgium in the Neutral Netherlands (1914-1918)Author(s)Klaas de Zwaan
Lantern Lectures at the Vlaamsche Kring in Mortsel: activism, avant-garde, and commerce in occupied FlandersAuthor(s)Evelien Jonckheere
'The Practices of Lantern Lectures, They Are a-Changin’. Cultural policies and changing lanternscapes in German-occupied Antwerp and Brussels during the Great WarAuthor(s)Margo Buelens-Terryn
